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Carpenters, The ~ (A Place To) Hideaway


I've got to find a place to hideaway
Far from the shadows of my mind
Sunlight and laughter, love ever after
For how I long to find a place to hideaway

I hear you whisper and I must obey,
Blindly follow where you'll be
Knowing tomorrow brings only sorrow
Where can I go to find a place to hideaway

Bright colored pinwheels go round in my head
I run through the mist of the wine

(*) The night and the music remind me instead
The world once was mine
I'll save my pennies for a rainy day
But where can I buy another you?
Dreams are for sleeping
Love is for weeping
Oh, how I long to find a place to hideaway

Repeat (*)


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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