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Barbra Streisand ~ I Got A Code In My Doze


Fanny & chorus
Feeling awfully bad
What a time i had
Cause i didn't buttoned up my overcoat
Hatsjoe
All i do is sniff
Pass that handkerchief
What a funny feeling in my eyes and ears and throat
Oy, i can't sleep i can't eat
Get a pail and soak my feet
I got a code in my doze
O, i got a code in my doze
Please repeat what you said
Funny noises in my head
I got a code in my doze
Oh, i got a code in my doze
Went to see the doctor
Asked him what to do
Lordy help that doctor
He said i think i got one too
So we laid down side by side
I'm still here but the doctor died
I got a code in my doze
Oh, i got a code in my doze
Hatsjoe


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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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