Free Lyrics 2026

Barbra Streisand ~ Can't Help Lovin' That Man


Oh listen sister, I love my mister man, And i can't tell you why There is no reason why i should love that man, It mus' be somethin' that de angels have planned. Fish gotta swim, birds gotta fly, I gotta love one man till i die. Can't help lovin' that man of mine. Tell me he's lazy, tell me he's slow, Tell me i'm crazy, maybe i know. Can't help lovin' that man of mine When he goes away, that's a rainy day, And when he comes back that day is fine, The sun will shine! He can come home as late as can be, Home without him ain't no home to me, Can't help lovin' that man of mine. [speaking]i, i first heard that song when ava gardner sang it in the movie, because i had no idea that it came from a broadway show, 'cause i went to the movies long before i ever went to the th , who knew from the theater. i'd go to the loew's kings in flatbush, every saturday to escape into a world of fantasy and also because they had the greatest "mellowrolls". a "mell L" was this little ice-cream log, a lot of you must know that, wrapped in paper that sat on a cone, anyway, i'll never forget, uh, when i was thirteen...some things improve with age...this D of my named barbara sankell, who knew that i wanted to be an actress, told me about this actor named marlon brando, who was in a movie called "guys and dolls", which i also didn't kn At it was from a broadway play. and so i went to see it, and it was truly a life altering experience, seeing marlon brando for the first time. it was the only movie that i ever sat through twice T to get to see him again and to have another "mellowroll", Anyway, i'll never forget this song... more free lyrics

Oh listen sister,
I love my mister man,
And i can't tell you why
There is no reason why i should love that man,
It mus' be somethin' that de angels have planned.
Fish gotta swim, birds gotta fly,
I gotta love one man till i die.
Can't help lovin' that man of mine.
Tell me he's lazy, tell me he's slow,
Tell me i'm crazy, maybe i know.
Can't help lovin' that man of mine
When he goes away, that's a rainy day,
And when he comes back that day is fine,
The sun will shine!
He can come home as late as can be,
Home without him ain't no home to me,
Can't help lovin' that man of mine.

[speaking]i, i first heard that song when ava gardner sang it in the movie, because i had no idea that it came from a broadway show, 'cause i went to the movies long before i ever went to the th
, who knew from the theater. i'd go to the loew's kings in flatbush, every saturday to escape into a world of fantasy and also because they had the greatest "mellowrolls". a "mell
L" was this little ice-cream log, a lot of you must know that, wrapped in paper that sat on a cone, anyway, i'll never forget, uh, when i was thirteen...some things improve with age...this
D of my named barbara sankell, who knew that i wanted to be an actress, told me about this actor named marlon brando, who was in a movie called "guys and dolls", which i also didn't kn
At it was from a broadway play. and so i went to see it, and it was truly a life altering experience, seeing marlon brando for the first time. it was the only movie that i ever sat through twice
T to get to see him again and to have another "mellowroll",
Anyway, i'll never forget this song...

more free lyrics

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

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